![]() His cinematographer Subrata Mitra went on to become one of the most influential cinematographers in history. The films were shot at a very low budget, with a crew and cast who didn’t have any experience. If you’re anything like me – I’d recommend clearing your schedule for you may get stuck watching them all. ![]() I would suggest just tasting “Pather Panchali” – and see how you feel. I will never forget seeing them all in one day as a young student. They all stand on their own, but seen together they are life-altering. Accordingly, they cover the early childhood, the education and the marriage of a young Bengali – named Apu. I’d go as far as saying that a true cinephile needs to see the three films that comprise “The Apu Trilogy”: “Pather Panchali” (1955), “Aparajito” (1956) and “The World of Apu” (1959). Martin Scorsese mentioned that “his work is in the company of that of living contemporaries like Ingmar Bergman, Akira Kurosawa and Federico Fellini.” The Indian artist went on to create over thirty films. A flavorsome mood has been created.Īny serious film lover needs to become acquainted with Satyajit Ray – one of the giants of cinema. You may not fully be able to articulate it, but it is clear is that you’re having an emotional reaction to what you’re seeing. There’s so much information on the screen for you to take in and harmonize. It all looks transfixingly beautiful and exotic as if it’s something that you’ve kept as a souvenir, and now you’re admiring it again. And to the right of the screen, there’s a row of power lines. And there it is! Its darkness in striking contrast with how luminescent the whiteness of the landscape is below. We go to a field, and we see tall grass moving with the wind – and two silhouettes traversing through it to catch a glimpse of it. Apu: “You know where the tracks are? Where?”ĭurga: “Past the big meadow and beyond the rice fields.”Īnd we do go see the train.
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